Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Domenicho Ghirlandaio
Details of Totenfeier fur die Hl.Fina

ID: 29391

Domenicho Ghirlandaio Details of Totenfeier fur die Hl.Fina
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Domenicho Ghirlandaio Details of Totenfeier fur die Hl.Fina


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Domenicho Ghirlandaio

Renaissance Artists , 1449-94  Related Paintings of Domenicho Ghirlandaio :. | Details of Vermahlung Marias | Vermahlung Marias | Details of Abendmahl | Evangelist Johannes | Details of Heimsuchung |
Related Artists:
VELDE, Esaias van de
Dutch painter (b. ca. 1591, Amsterdam, d. 1630, Den Haag).
Johann anton ramboux
German, 1790 - 1866 German painter, draughtsman and museum curator. He was taught drawing by Jean-Henri Gilson (1741-1809), before he went to Paris for further training in the studio of Jacques-Louis David. In 1812 he returned to Trier, painting portraits until 1815, when he spent a year at the Akademie der Bildenden K?nste in Munich. In 1816 he went to Rome, where he was part of the Nazarene circle without becoming a member of the Lukasbr?der. Close association with these artists, notably Peter Cornelius, Carl Philipp Fohr and Julius Schnorr von Carolsfeld, had a more lasting influence on Ramboux's artistic development than his earlier studies with David
Johan Thorn Prikker
1868-1932 Dutch Johan Thorn Prikker Gallery Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.






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